|'Poms': Something to Cheer About|
The philosophical gist of "Poms," a rootin'-tootin' homage to Baby Boomer relevance about a former cheerleader who forms a cheer leading squad at her retirement community, reminded me of an illuminating exchange I had with my wife, Joanne, about 20 years ago.
We were driving across the Neversink River in
|'Long Shot': Proves a Winning Bet|
I'm giving director Jonathan Levine's "Long Shot" a three, even though by most of my film-criticizing parameters (pace, creativity, screenplay, blah, blah, blah) it rates a 2.5. But hey, it's such a convivial and much needed feel-good movie that I'm figuring why be a piker? It's not like I have to pay Microsoft a
|'Avengers: Endgame': What the World Needs Now|
Y'know how I'm always looking for metaphors and clues in movies that might lead the way to saving our republic from the current rash of misanthropic evildoers? Y'know, those who would replace our democracy with autocracy for their own profit and narcissistic obsession. Well, someday I'm going to just review a movie. But this
|'Teen Spirit': Youth, Not Wasted on the Young|
If it's true that everything has a purpose, that there are clues to our lives in all that passes before us, especially a movie like "Teen Spirit" that I'd never see if I weren't a film critic, then what's Max Minghella's tale about a young lady's angst and ambitions trying to tell me?
I'm a long
|'After': Of Good Girls and Bad Boys|
It's just not fair. The lady preteens and barely teens who attended a showing of "After," presumably to look into the crystal ball and commiserate with future peer, Tessa Young, left it all to me. I was to see what was to be with the gal who embarks on her college career and that first real love.
|'Dumbo': A Relevant Elephant|
Here's what drives me crazy. Mostly everyone you and I know has been brought up on a steady motion picture diet of morality tales like this latest version of Disney's "Dumbo," based on the studio's 1941, animated delve into the wiles and munificence of human nature. All the good lessons concerning proper human behavior are
|'Us': It Takes Two to Terrorize|
Point of disclosure: Save for classics like "Dracula" (1931) and "Frankenstein" (1931), I'm a scaredy-cat when it comes to horror films. I'm not simply afraid of them, but rather, in the parlance of childhood, "a-scared'"of them. That is, until now. Gripping my armrests in anticipation of a
|'Gloria Bell': For Whom the Loneliness Tolls|
My mother was beautiful. Not just pretty, but beautiful. At family gatherings, it was inevitably brought up: Who is more beautiful, Dora or Elizabeth Taylor? It was Mom's cue to blush, although she kept serving and rarely sat down.
Intentionally or not, her splendor impacted nearly every aspect of our lives. Whether
|'Transit': As in, Letters of ...|
One has to be either a fool or a complicit coward not to recognize the mercilessness regularly perpetrated on humankind by immoral governments and their tyrannical leaders. Equally clueless are those who don't realize that the worldwide, mass immigration being used as a scapegoat by said guilty-as-sin autocrats is in essence a product of
|'Captain Marvel': Brave New Suffragette|
Unless you're a card-carrying, dyed-in-the-wool devotee of comic-book film extravaganzas like "Captain Marvel," they can be extremely difficult to follow. Each is chockfull of series lore, a veritable encyclopedia of minutiae that aficionados of the genre demand, and from which they deliriously kvell when given the slightest
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